Mirukashi

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When Light and Dark Stand Eye to Eye

24 Seasons of Being

In Japan’s seasonal almanac, this is a sacred hinge.
 A turning inward. 
A breath held before the descent. Insects burrow underground. 
Fields are drained for harvest. The world quiets, and so do we.

We’ve entered the season of Shūbun — The Autumn Equinox.
When light and darkness stand eye to eye. For a moment, they bow to one another, equal, exact, at peace.

The sun rises due east and sets due west. Balance, however brief, is possible.

In Japan’s seasonal almanac, this is a sacred hinge. A turning inward. A breath held before the descent.

Insects burrow underground. Fields are drained for harvest. The world quiets — and so do we.

The air carries the scent of endings but also, of return.

Spiritually, this period is known as HiganThe Other Shore. A threshold moment when the veil thins, and we walk with ancestors. Rooted in memory. Awake to mystery. The visible and invisible press close.


It’s a season of deep remembering and quiet recalibration. But this stillness is not passive. It is potent.
It is the edge before descent. The inhale before release.
It is a space where seeds are silently chosen for the next cycle.

This moment of balance is an invitation: to honor what has passed. To stand fully in what is. And to rise toward what’s next with presence, power, and grace.

As we cross this threshold together, I invite you: not to do more, but to notice more.

🌕 The Season Within: Your Inner Almanac

What are you ready to release not out of rejection, but to make space for what wants to root?

What wisdom, passed down through your lineage or lived experience, feels like your compass right now?

Let it rise. Let it settle into your bones.

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Welcome to Mirukashi Ink, the literary heart of our world. Where thought takes on texture, and language lingers like flavor. Here, we tether words to season, to beauty, to the quiet urgency of living well. Reignite your senses. Reclaim the poetry of presence. If you’ve found your way here, you already belong.


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